Album: Celestial Aeon Project: The Fall of Ragnaros

Fall of Ragnaros cover art

Celestial Aeon Project is one of several musical projects to come from electronic and ambient wunderkind, Matti Paalanen. He's made several nods to the massively multiplayer online game (MMO), World of Warcraft, in a number of his albums, but recently, he produced an entire album about the game's "Cataclysm" expansion storyline, entitled The Fall of Ragnaros. Fall is a thematic soundtrack album, which has been used in a number of excellent World of Warcraft videos including the world first heroic-mode kill of the final boss, Ragnaros, of the expansion (for which at least one of the tracks was created).

Video games aside, Fall is a sweeping, grandiose soundtrack that would fit well into any number of films. As background music it is great for work, though it's a bit too driven for relaxing at home (see Celestial Aeon Project's other albums for that). I highly recommend checking it out if you find yourself enjoying Danny Elfman's Music for a Darkened Theater or the like.

Group: Tunguska Electronic Music Society

The cover of the first album:
Chillout Grooves

The Tunguska Electronic Music Society is a loose-knit group of mostly ambient and electronic artists, that was started in Russia. A quasi-netlabel in its own right, the Society has now published over a dozen albums through Jamendo.com, and continues to publish new music to this day.
The first album, Chillout Grooves, gives an excellent sense of the project. The first track, Tunguska M by Bigfoot is a bit more rock-oriented with electric guitars, drums and keyboard setting the stage for the rest of the album.
Euphoria by MoVoX is a much more experimental piece, with complex timing and wild electronic effects that are almost theremin-like.
Vacuum Fields by Aquascape is a very traditional style of relaxing ambient composition with the addition of electric guitar.
Overall, the album plays as expected of a high-quality, modern electronic project, anywhere in the world.
The most recent album, Craters: Romeiko seems to be taking on the native North American musical traditions, attempting to forge a modern re-interpretation of the classic tribal rhythms. There's more vocal work on Craters than the earlier work, and for a Western audience this might be a problem, but for my money, a good foreign vocal is just an extra instrument.Grust' Devushki by Panna Cotta is a lovely trancy number with a beautiful female lead vocal track that's mesmerizing in any language.
Craters is currently the most popular album on Jamendo.com, and in my opinion, that status is well-deserved.
There's so much more to go into, and I probably will write individual reviews of each album if I have time. But for now, why not go down load an album or two and see what you think?

Album: Epic Soul Factory - Xpansion Edition

Epic Soul Factory is a band that I've been aware of for a while now, but who I was never terribly impressed by (though I certainly didn't think they were bad). Their section album, Xpansion Edition, which was uploaded to Jamendo in January of this year, changes all of that. This album is an ambient, orchestral, soundtrack for everything from quiet nights to the most epic of video-game battles. It's a real suite, and well worth listening to.

Album: Not Alone in Kyoto by Project Divinity

One of my favorite ambient/electronic bands, Project Divinity, has 6 free albums released on Jamendo of which my favorite is still the early, Divinity. Their recent release of Not Alone In Kyoto in August brings a calming, background-music-for-travel themed selection of three new songs to your collection.

The artist responsible for Project Divinity is also behind two other excellent electronic efforts. Finnish Matti Paalanen is the motive force behind Project Divinity, Celestial Aeon Project (now probably best known for the soundtrack to the world-first "heroic" mode kill video for World of Warcraft boss, Ragnaros) and Frozen Silence which Matti describes as "neo-folk, neo-classical instrumental".

Getting back to Not Alone in Kyoto, the songs average about 4 minutes each and the album only lasts around 12 minutes total, but it's well worth those 12 minutes if you enjoy resting, thinking, reading or doing work with soothing music.

If I had a complaint, it would be that the percussion on all three songs occasionally becomes distracting from the general atmosphere of detachment that the pieces otherwise maintain.